Thursday, January 29th, The Judge: Like distance runners, theater and cinema audiences have their limits.
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Share with us a little information about yourself, your arts habits and interests and what you think of the magazine in print and online. The New iPad one only The very latest iPad offers heightened text and visual pleasure and a host of features: Famous friends, including Anna Wintour, talk about Bill and we visit his home in the Carnegie Concert Hall building where fellow artists of his generation reside.
Equally controversial is Beer is Cheaper Than Therapy by Dutch director Simone de Vries, exploring the lives of US soldiers returned from active duty and living in Fort Hood, where the suicide rate is twice the national average.
The Australian feature by Sean Gilligan, Fantome Island, tells the story of Joe Eggmolesse who, at the age of seven, was removed from his family and sent to a leprosarium on an island off the Queensland Coast.
The film sees Eggmolesse return to the site and through archive footage screenwriting an apology mp3 downloads the systematic racist treatment and destructive policy of eugenics that was in place at the time see Danni Zuvela's review in RT Planet of Snail Other films deal with issues of child boxing in Thailand, developing a professional surfing event in Papua New Guinea, the integration of Roma children in to Romanian schools and the plight of the low lying Maldives.
There are also stories with happier outcomes such as Planet of Snail from South Korean director Seung-jun Yi, a love story between Soon-Ho and Young-Chan who has been deaf and blind since childhood.
The couple communicate and explore the world through touch. For the Melbourne leg of the festival, there is a series of free forums, including one on the power of art to educate and agitate and the dangers this sometimes brings to the artist; a discussion on the ethics of travel from a humanitarian and ecological perspective; and another on the role of street art as tool for activism.
Many of the screenings include a discussion session. There is also an exhibition titled Echoes Of Others, Illuminating the Gaps Amid Translation which explores how technology and global communication which is not shared by all effects human rights issues.
While the majority of the action happens in Melbourne, small selections of films will tour Canberra, Adelaide, Sydney, Brisbane, Alice Springs, Byron Bay and Perth over the next two months.
Just how much of this storyline and its convolutions survive the adaptation is yet to be revealed. An intriguing trailer for the piece can be found here.
Welfare was bemused by the fascination Chileans seem to have with Australia and how curiously Australia is represented: In particular he focuses on working methods that emulate the ways Australian culture has developed.
Still going strong, their posters are now slickly photoshopped but their messages are still relevant, as their Free Women of Zurich poster attests. There will also be a talk that is open to the public.
You could chance your luck on the door and arrive by 5.
The play will also have a season at Griffin, Sydney in July. The hellosQuare team will be in residence at Canberra Contemporary Artspace over the next few weeks, where they will not only be presenting concerts by Spartak, Ollie Brown IcarusShopgirl, Deafcat and Merewomen, but also an exhibition of visual works complementing the ethos and aesthetics of the label featuring Luke Penders, Elena Papanikolakis, Dylan Martorell, Helani Laisk, Robbie Karmel and Kate Ahmad.
But for now they are all about insinuating themselves into the crevices. The game is a homespun version of the arcade classic Snake, whose pixellated arena weirdly traces the shapes of the wall itself. Documentation shows the shopping jeep in the company of a ragged sofa and assorted living room furnishings, touring down back alleys and culs-de-sac, resting, it seems, in this most back-alley of galleries before the tour continues.
Or, if you like, claiming that earlier politics for the armchair video game generation questions the idea of such games as a cause of urban alienation, countering with an 8-bit social urbanist manifesto for the next wave of space invaders.
Khut's oeuvre sketches in miniature the evolution of computing machinery, from primordial campus behemoths to the portable experience of modern ubiquitous computing. The core theme throughout is biofeedback.
In Distillery II your physiological signals are translated into minimal, asymmetric rings of brightness on an iPad display, the unconscious processes of life made explicit and external.
The hook is the visceral way you have to buy in to the work in order to experience it. If you have taken the time to use the machine's help to change your very heart rate, then it is a contradiction to claim being unaffected. As raw as this avowed prototype is, it is more polished than its progenitor works, say, Cardiomorphologies v2 from In that piece the retrofuturist reclining couch recalled ancient room-filling supercomputers, but this iteration, given the tenor of the moment, is necessarily on iPad app.
Your heart-rate is measured by a slimline slip-on ear-ring, the visualisations displayed on a solipsistically personal screen. One day, Khut explains, this experience could be in sundry app stores; he just needs to work out how to get decent biometric data into the phone.
And with that, it looks different to me: This is not to dismiss it for mass-marketability—the opposite, really. Distillery II is elegant and more minutely worked than the typical eye-candy on your smartphone app-store of choice.
Hands cupped at the other end of the industrial metabolism, Peter Blamey has made another RF-interference sound work from what he could catch—a new copper wire and discarded circuit-board sound installation see e-dition Aug Here, the ex-boyfriend of a lackadaisical student at the University of Amsterdam downloads his latest experimental app on her cellphone, while she’s otherwise engaged at a party.
When Anna attempts to delete the app, which, among other things, sends inappropriate photos of a friend to all of her contacts, it triggers terrible accidents and.
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